Metaverse Archives - Infillion https://infillion.com/blog/category/metaverse/ Humanizing the Connected Future Tue, 31 Jan 2023 23:06:05 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://infillion.com/wp-content/uploads/2022/01/cropped-favicon-dark-32x32.png Metaverse Archives - Infillion https://infillion.com/blog/category/metaverse/ 32 32 Consumer Adoption: When Will the Metaverse Go Mainstream? https://infillion.com/blog/metaverse-consumer-adoption/ Tue, 31 Jan 2023 22:41:04 +0000 https://infillion.com/?p=58365 What would it take for the metaverse to get the consumer adoption it needs? Infillion's VP of Business Transformation and Innovation Charles Adleman shares his thoughts.

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Consumer Adoption: When Will the Metaverse Go Mainstream?

The metaverse has taken over the zeitgeist in the past few years, with billions of dollars poured into development, devices, and brand integrations. Consequently, a Wunderman Thompson Intelligence survey in March 2022 found that three-quarters (74%) of consumers knew about the metaverse versus one-third (32%) in 2021. 

However, ask the regular man on the street, “what is the metaverse?” and you’ll get enough material for an SNL skit with barely 15% of consumers understanding the metaverse enough to explain it to someone else.

To know where the disconnect stems from and how marketers can best position themselves, we spoke to Charles Adelman, Infillion’s VP of Business Transformation and Innovation and head of Infillion Labs to get his in-the-trenches take. A cross-disciplined technologist with 20+ years of experience spanning adtech, martech, product, media, and immersive experiences, Adelman has written patents in the AR/VR/XR spaces designed specifically around user experiences and legacy content/advertising.

Ready Player One

Adelman likens this time to the early days of the internet, when awareness of Netscape and Internet Explorer was high, but consumer understanding and usage were low. He explains, “Understanding what transpired in the early nineties, people are more attuned to what the metaverse could be, not what it is. They’re only getting sound bites from news blurbs, but if you don’t use [it], it’s so out there.”

How does one describe the metaverse (and its potential) to a layperson? 

In its most basic form, the metaverse will be a new way to experience and navigate our digital worlds. Through wearable technology (think Fitbit or Google Glass on steroids), the web becomes a multi-dimensional experience. Adelman goes further, saying, “instead of a flat 2D screen where you’re typing away, watching a video…imagine that was living around you. [Via wearables] everything you see, touch, and hear will be part of the next phase of the web, the metaverse.”

For those who need sight, sound, and motion to understand, Adelman recommends watching the movie Ready Player One (based on the book of the same name by Ernest Cline). For the moment, Adelman sees the metaverse as only a “talking point” until it becomes genuinely functional enough for mainstream adoption. He compares it again to the early days of the web when everything was still the wild west until “a functional ecosystem, format, process, scope” was built for the internet. Only then was it able to be marketed and deployed for mass consumption.

Consumer and Brand Backlash

Mark Zuckerberg Metaverse

With all the blather and little payoff, it’s no surprise consumers aren’t the only ones disillusioned with the metaverse. By the second half of 2022, the business hype surrounding the metaverse had started collapsing. 

  • Mark Zuckerberg’s vision of Meta’s future looked like VR by PowerPoint
  • NFTs received a (deserved) consumer backlash, with multiple game companies walking away
  • After peaking at 773 filings in March 2022, the number of trademark applications filed in the U.S. for the metaverse or virtual goods decreased more than 50% to 334 by October 2022, per intellectual property lawyer Mike Kondoudis

Additionally, with gaming as the current driver of VR/AR adoption, protecting children has become a flash point. The Wunderman survey found that most parents are concerned about their children’s privacy (72%) and safety (66%) when online. Adelman is sanguine about the dangers posed by the metaverse. Through governmental guard rails and consumer-controlled protocols, he believes the metaverse will actually “be more secure. We’ll have the opportunity to build security containers around [a child’s world] to keep out a certain type of people.” 

As for the nefarious characters making the news and keeping investors up at night, Adelman admits we’re in the midst of a “land grab” with a “bunch of charlatans” trying to make quick bucks with speculative NFTs and badly thought-out ecosystems. He thinks this is short-sighted and recommends investing instead in the underlying functional technology. Though a long-term proposition, he believes the “money will be exponential” when it comes to fruition.

Oscillating Hype Cycles

So when will the steady metaverse money start rolling in? 

The metaverse debuted in 2022 on Gartner’s Hype Cycle for Emerging Tech, which predicts it will be at least a decade before the metaverse goes mainstream. However, even within that time frame, the metaverse is not on a steady growth curve because it isn’t a singular behemoth (looking at you, Meta). The timing of innovations and consumer adoption of individual hardware, software, content, and experiences directly affect its growth or stagnation. 

For example, while NFTs might be on a downward trajectory now, AR and VR are starting to rise again. Adelman predicts, “I don’t think we’re going to ever hit a true trough [of disillusionment]. Because of oscillation, all these different waves in different patterns of those hype curves. None of [the individual parts] are ever going to hit at the same time. You’re going to see these faster, faster peaks and troughs. They’re going to level out together to a fairly plateaued middle.” 

Gartner
When pressed for concrete timing, Adelman sees 2023 being a “shakeout” year.  Based on his in-depth knowledge of the industry and the players, he anticipates the 24 months starting January 2024 through the end of 2025 will “be the largest evolution in the next phase of human-computer interactivity.”

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Five Tech Trends for Marketers at CES 2023 https://infillion.com/blog/ces-2023-tech-trends/ Mon, 19 Dec 2022 18:32:02 +0000 https://infillion.com/?p=58282 What’s happening outside the C-Space? We enlisted a tech journalist to help us navigate the massive tech confab.

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Five Tech Trends for Marketers at CES 2023

As the behemoth that is the Consumer Electronics Show rolls into Las Vegas, taking over virtually every convention center and ballroom in its path, it’s easy to get overwhelmed by the sights, sounds, and churning sea of humans and gadgets alike. In other words, there’s a lot of noise, and it can be tough to separate out the signal. Plus, when marketers go to CES, it’s easy to get caught up in client meetings and miss the “consumer electronics” part of the Consumer Electronics Show.

At Infillion, we’re all about putting the consumer first, which also means that consumer trends at CES are just as important as what’s impacting us in the ad industry. To help us distill what to expect at CES 2023, we enlisted journalist and CES veteran Brent Rose, whose work you may have seen in the likes of Gizmodo, Wired, The Verge, The Wirecutter, and more. Brent has covered CES for more than ten years and has an eye to what consumers are looking for so we’ve asked him to provide insight on a handful of things to look out for at CES. 

It’s the first real CES since COVID-19. What’s going to be different?

At last, CES is back. Well, technically it was back last year, but the raging Omicron variant of COVID-19 caused most major companies, ad agencies, and journalists to pull out, often at the last minute. This was especially true for foreign brands that had to travel long distances and deal with entry requirements at both ends of varying stricture. In short, last year’s CES was a bit of a ghost town, with most announcements coming via press release or video stream. This year you can expect brands to try to make up for lost time by leaning in heavily to the physical experience. CES has always been centered on going hands, eyes and ears-on with the latest in tech, so companies are likely to focus on wowing you with a sensory experience designed to stand out from the rest of the pack.

INFILLION’S RECOMMENDATION: Try to schedule some time away from meetings to actually walk the CES show floor and get a hands-on experience with new innovations. IRL interaction’s never been more meaningful!

What’s the outlook on streaming devices?

For many households during the COVID era’s peak, the connected living room – powered by smart TVs and streaming video devices – became the center of their entertainment world. With movie theaters, Broadway, bars, and sporting events temporarily shuttered, finding a way to boost your home entertainment game became a major trend. But forecasters were surprised by slower sales of CTV devices in 2022. Global inflation, along with massive supply chain issues, created a perfect storm. Plus, a lot of people made their upgrades in 2020 or 2021 and will continue enjoying their new gadgets for the next few years. That being said: Things break, people move, and the streaming wars are only heating up, with more and more major players entering the game or merging (think Discovery and HBO). With inflation predicted to recede in the near future and supply chain issues gradually resolving,  2023 could be a rebound year for home entertainment. 

One trend to look out for: media and device overload, and companies focusing on ease of use and functionality rather than infinite choice. Samsung, for one, has already announced that its CES theme is “Bringing Calm to a Connected World.”

INFILLION’S RECOMMENDATION: Subscription fatigue and frustrating user interfaces have been some of consumers’ biggest criticisms of the connected TV landscape. At CES, take a look at which publishers and hardware/software manufacturers are looking to address these directly.

Will this finally be VR’s big year?

Virtual reality hasn’t yet become the juggernaut that some predicted it would. In fact, it’s still in the process of taking its early wobbly steps. Facebook went so far as to rebrand its parent company to Meta and to sink billions of dollars into metaverse initiatives, including its new VR social network Horizon Worlds – which hasn’t exactly become the next Facebook. That being said, it would be a mistake to write VR off. Meta’s Quest 2 VR headset has proven that it’s possible to make VR that’s quite cheap, and really very good, without the need for a powerful gaming PC or a room full of elaborate sensors. (A new Quest is coming in 2023, and Sharp, which manufactures displays for the likes of Meta Quest, will be showing off a new prototype at CES.) 

People now know that VR is real, and enough have tried it that it’s in the zeitgeist. While there still isn’t a steady enough flow of new marquee games to keep people hooked, 2023 is going to get very interesting when two 800-pound gorillas enter the room: Apple and Sony. Sony’s PSVR 2, which was announced at CES 2022, is hitting the market early in the year and is going to feature vastly upgraded hardware and a bunch of extremely tempting games. And, of course, nobody sets trends like Apple, whose presence is always felt at CES even though the company has not formally participated in 30 years. With its long-rumored mixed reality headset likely coming soon, too, expect a banner year for the virtual world, with a lot of previously reluctant consumers finally jumping onboard. 

Keep an eye out for new developments in augmented reality (think Pokemon Go) and immersive gaming like Fortnite. It’s likely that these will gain footing sooner than anything that requires a headset does.

INFILLION’S RECOMMENDATION: Take all things metaverse with a grain of salt, but don’t discount them as too “far out” either. The brands that jump into the sandbox, so to speak, are the brands that will be platform-fluent when mainstream audiences arrive.

What will be the hottest topics in consumer privacy?

This is probably not news to you, but consumers have a complicated relationship with targeted ads. In Infillion’s research with Ipsos, 66% of consumers said they agree that “targeting is creepy,” but 50% agree that ads tailored to them and their interests are good.  Meanwhile, the most prolific source of ad targeting – third-party cookies – is about to go into decline. Major companies like Google have announced plans to limit or even disable third-party data entirely, and a federal data privacy law may actually pass in 2023. Expect this trend to continue and expand, because the demand for it is real and it is loud. 

Advertisers have had to think about new approaches, and among them is a greater reliance on first-party data. With CES offering up a hotbed of smart devices from cars to refrigerators, advertisers can turn a keen eye toward figuring out which of these may become tomorrow’s premium data sources.

INFILLION’S RECOMMENDATION: With both Big Tech and Congress on the verge of reshaping the ad targeting landscape, companies at CES will be working hard to pitch themselves as privacy-forward. It’s worth figuring out which ones are genuine about it.

Health and fitness tech boomed during COVID. What at CES can tell us what’s next?

Health and fitness tech has always been a major component of CES. Even as major phone, television, computer, and camera brands have started using the event more for hands-on experiences rather than major announcements, health and fitness companies have largely bucked that trend and use the event to lift the curtain on innovations that are often previously known about only through patent filings. Every year we see a slew of wearable health device debuts, along with innovative exercise gadgets, and industry analysts are speculating that we may see everything from a new Fitbit device to a smart toilet from Withings (you heard that right) previewed at CES 2023.

The pandemic has only turned up the spotlight on the importance of taking care of yourself, so expect to see a lot of health trackers (including some using innovative new sensors, such as blood markers), home gyms, and cool new outdoor equipment. For the most part, these smart devices aren’t destinations for ads (privacy concerns abound, and who really wants to see ads on their Fitbit anyway?), but it’s definitely a space to watch particularly when it comes to the conversation around first-party data.

INFILLION’S RECOMMENDATION: As a marketer, take a look at which fitness tech companies, many of which primarily retail direct-to-consumer, are looking to build market share. Especially with gyms long since reopened, companies that make smart personal fitness equipment may be looking to broaden their markets – and they could be looking for the advertising partners to help them do it.

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Is Art Basel the Next Big Metaverse Event for Brands? https://infillion.com/blog/art-basel-brands/ Wed, 07 Dec 2022 20:05:13 +0000 https://infillion.com/?p=58209 Will Art Basel remain a regular stop on the digital conference circuit for brands? Here’s what marketers need to know, based on what was on the ground in 2022.

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A Marketer’s Guide to all the FOMO (and more)

What made an art festival in Miami into an apparent must-visit for brands interested in the metaverse? The short answer is, well, timing. 

In January 2021, with COVID still restricting industry events to a virtual format, Miami-based tech founder Alexander Taub tweeted: Calling it now. First big tech event in a vaccinated COVID world will be Art Basel in Miami in December. Will be similar vibes to what early SXSW became for tech/startups.” Meanwhile, blockchain innovations – cryptocurrencies, decentralized autonomous organizations (DAOs), and non-fungible tokens (NFTs) were booming. Virtual reality and mixed reality had been permeating the art world for the past few years. And sure enough, Art Basel 2021 drew curiosity from digital marketers that were Web3-curious… and starved for industry gatherings.

But in late 2022, fears of a recession caused tech companies to trim down “moonshot” projects and, by association, brands were forced to rethink experimental activations. Meanwhile, the crypto and NFT bubble appeared to have deflated, with NFT sales on marketplaces like OpenSea sharply declining and apparent crypto behemoths (remember Terra Luna?) falling like dominos – not to mention FTX. 

Will Art Basel remain a regular stop on the digital conference circuit for brands? Is it only for the Web3-curious? And what strategies can they adopt year-round? Here’s what marketers need to know, based on what was on the ground in 2022.

Yes, Art Basel is a hotspot for brands – but it still isn’t for every brand.

Brand partnerships and activations at Art Basel had historically been on behalf of brands that either had a strong foothold in the art world, or catered to the wealthy clientele of art enthusiasts who showed up in Miami every year – think luxury cars, liquor brands, fashion houses, and financial services. 

But over the past year or two, the event piqued other brands’ interest, mostly those that were in some way interested in Web3 or cryptocurrency. And this year, the horizon broadened a little further: Events series Brand Innovators, which hosts pop-up conferences during industry conferences and festivals like SXSW and Advertising Week, hosted an event at Art Basel for the first time.

David Teicher, chief content officer of Brand Innovators, explained why: “We’d been talking about developing a presence at Art Basel for a number of years at this point,” he told Infillion. Art Basel, and Miami Art Week, has become a hotbed for conversation around Web3, a topic of great interest for the marketing industry and our community, so there was a natural fit.”

Teicher explains that while there were plenty of Art Basel’s usual suspects at Brand Innovators in Miami – e.g. luxury brands and the NFT-curious – that marketers have been hovering around the event for long enough that it made sense to host a satellite event.

“To me, that really illustrates the depth of the appeal of the festival and the compelling nature of the aforementioned topics, if not also the draw of Miami in December,” he said. 

If you’re a brand dabbling in NFTs or crypto, collectibles aren’t enough: you need to show real utility.

Anyone who’s been reading about a “crypto crash” or NFT “bubble” bursting would have been surprised at Art Basel, where NFTs and crypto were still front-and-center. Clearly, there are a lot of true believers despite the headlines.

Yet there were still signs that the NFT world knows it needs to find more grounding in reality. At Art Basel Miami 2021, it wasn’t uncommon for a party invitation to either require ownership of an NFT to enter, or to promise a free NFT as a party favor — but that was it, and for the most part, people forgot about their party favor NFTs. In 2022, this seemed far less common. The exceptions were, for the most part, large and well-established decentralized communities like Friends With Benefits (FWB), which have put forth actual reasons for owning their cryptocurrency – which in FWB’s case is access to networking and creative projects.

That’s key. Brands that want to get involved in the NFT or crypto world have to figure out a real-world tie-in. Nike took the stage at an event hosted by media outlet nft now to showcase what it’s building with digital fashion company RTFKT, which it acquired last year. The founders and artist behind NFT community Meta Angels were on the ground, fresh off the launch of their NFT-powered tequila. Electronic musician Deadmau5 debuted music metaverse platform Pixelynx with an augmented reality scavenger hunt powered by technology from Niantic.

In short: Consumers have fully merged the physical and digital in their media and retail habits, and Web3 is no exception. NFT giveaways won’t cut it anymore – show how the latest tech innovations also expand beyond screens.

Today’s art can showcase tomorrow’s creative technology, and major platforms and gaming companies have a massive untapped opportunity in Art Basel.

Last month, in Infillion’s hosted panel with Campaign US, a cadre of creative agency executives from Austin pointed out that brands need to know what they are — and aren’t — getting into when it comes to emerging platforms. “You want people to interact with you,” Megan Trinidad, executive creative director of R/GA, explained in the panel. “Clients, at the end of the day, expect large numbers of people to do the thing that you ask them to do. But the reality is when you introduce a new platform, those people don’t exist.”

But gaining literacy on emerging platforms is essential for success if and when those platforms do go mainstream, and an opportunity like Art Basel presents quite the sandbox. A tech company can test out new “frontier” technologies that aren’t ready for any kind of client or user uptake by working with artists, and in the process, they’re both gaining valuable insights about user experience and also generating goodwill for their brand by supporting artists and creators. And that’s exactly what Meta did, partnering with both artists and chefs at its “Meta House” as well as at the immersive art center Superblue for mixed-reality art that showcased emerging Latin American creatives.

Yet, for the most part, Meta was alone. Big tech platforms and gaming companies mostly didn’t show up in Miami this week, leaving the tech presence to Web3-native companies like Degen Arcade and Teleport. That’s not to say the event is off big tech’s radar. Google, for one, has made plenty of moves to court the art world, including partnerships with museums around the world, and has dipped its toe into Art Basel before, like its partnership with artist Marina Abramovic at Art Basel Miami Beach in 2014, and a VR activation at Art Basel Hong Kong in 2017. But Google was nowhere to be seen in Miami in 2022. The same goes for the likes of Microsoft, Apple, Sony, and most others. (A few exceptions: Adobe, whose software that’s clearly relevant to an art-focused audience, co-hosted a party and art exhibit with retail research outlet Future Commerce, and Samsung co-sponsored several NFT art shows.)

There are a few likely reasons for big tech and gaming companies’ absence. One, the gaming-heavy Consumer Electronics Show (CES) in Las Vegas is fast approaching, and with its timing poised right after the holidays, any activation at the event needs to be planned well in advance. 

Candace Locklear, president and co-founder of tech PR firm MIGHTY, said big companies also might just be concerned they don’t have their metaverse or Web3 strategies locked in, and wouldn’t look forward-thinking compared to the likes of native Web3 startups. “It seems that major, established gaming companies aren’t doing big brand activations at Art Basel because their Web3 strategies just aren’t ‘crisp’ enough to rock it compared to many upstarts,” she told Infillion. “That, plus CES and SXSW are back, and those events are likely eating up the marketing team’s time now.” 

(By the way – Infillion will be at CES. Let us know if you want to meet up.)

But Meta’s strategy – work with artists to test the creative limits of new technologies – was a memorable one, and offers a blueprint that brands can follow. Work with artists and creators to test out a platform’s emerging technologies, and you never know what you might learn.

And that’s something that can apply far beyond an annual art festival in Miami.

Interested in the metaverse? Learn about how Infillion Labs is testing the waters by following us on LinkedIn.

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